The
dynamic movement of decorative textile structure, from simple to complex, the
various associations of lines or different patterns (geometric, avimorph,
zoomorph, anthropomorph) and the chromatic repertoire offer an expressivity to
the form and accentuate the harmony of composition, transforming objects in
real treasures of folk art.
In
the ornamental composition of textile appear stylized patterns like: the star,
the nut, the Easter cake, the rose, the tulip, the bouquet, the grapevine, the
trees, the horse, the girls, the Romanian circle dance, the birds (water birds,
martin).
Interweaving in their structure the intelligence and
the fantasy of the woman, textiles generate a holiday note in the inside space,
organized according one scenography who preserve and break the canons in the
same time.
In
the Romanian mentality, the tree of life
appears in mythical representations of the life cycle, calendar activities and
holydays of the year.
The presence of tree
of life in the decorative structure of traditional textiles demonstrate the
link between human and nature as constant medium of material and spiritual life.
Wood is a decorative
material par excellence, because his natural color and quality,
by itself structure. Traditional decoration is achieved by notching. Dominant patterns
are geometric e.g. solar wheel, tooth of wolf.
The
patterns have an important role in the ornamental composition of textiles.
The
pattern repertoire demonstrates the fact that the human transpose in his creation
environmental elements.
Quotidian
has been immediately placed in the woman’s art of garnishing the interior of the
room. And so she engraved to space a holiday note.
Decorative textiles are decorated woolen, cotton or natural silk fabrics, in general, with geometric,
phytomorphic or avimorphic patterns. The patterns are naturalistic
or stylized.
